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ºû¥Ë²Ä (Antonio Vivaldi, 1678-1741) ¬O¸q¤j§Q¤Ú¬¥§J§@¦±®a¡A¤p´£µ^ºt«µ®a¡A³ÌµÛ¦W§@«~¬O1725¦~ªº³Ð§@¡A¤p´£µ^¨ó«µ¦±¥X¦Û12­º½Æ¦¡¨ó«µ¦±op.8ªº«e­±¥|­º Il cimento dell'armonia e dell'inventione (©MÁn»P³Ð§@¤§ª§)¡A¦¹¦±«UºÙ¥|©u[2] (Le quattro stagioni, op. 8, no. 1-4)¡C¥Lªº­µ¼Ö¥H¨ó«µ¦±³ÌµÛºÙ¡AÁ`¦@¼g¦³¬ù500­º¡A¨ä¤¤¥H¤p´£µ^©M¤ÚªQºÞ[3]³Ì¦h¡C©v±Ð­µ¼Ö¦³À±¼»[4]¡A¸g¤åºq[5]¡A¸Ö½g(Psalms)©M±ßëºq¡]vespers¡^[6]¡B©M¯«¼@[7]µ¥¡C

ºû¥Ë²Ä¦b­µ¼Ö¬É¬O¥X¦â¬¯§Þ¤p´£µ^®a¡A¬°«Â¥§´µ¸t°¨¥i±Ð°ó¤p´£µ^¤â¡C15·³®É«c¾v±µ¨ü¥@«U¸t¾¡A18·³®É±µ¨ü¬°°ª¯Åªº°Æ§U²½¡A¤~¨ü¯«¾Ç±Ð¨|¡C25·³¥X¥ô S. Maria della Pietà[8] ªº¯«¤÷¨Ã±Ð°ó¤kµ£­µ¼Ö¾Ç®Õªº¤p´£µ^±Ð®v¡C¶Ç²Î»{¬°¥L¦]°·±d¥h¾¡C¦ý³Ìªñ¬ã¨s¡A¥L¬O§@¦±­«©ó±Ðªª¦ÓÃ㾡Cºû¥Ë²Ä´¿«ü´§ Ospedale della Pietà ¤Ö¤k¼Ö¹Î¡C¤p´£µ^¨ó«µ¦±©M«µ»ï¦±¤j³¡¤À¬°Ospedale¦Ó¼g¬°©v±Ð»ö¦¡ªº°t¼Ö¡C

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¦bOspedale della Pietà¥ô¾®Éºû¥Ë²Ä´N¶}©l³Ð§@ºq¼@¡A²Ä¤@³¡ºq¼@Ottone in villa©ó1713¦~­ººt¡A¤§«á26¦~¥L¼g50¦h³¡ºq¼@[10]¡C¥Lªººq¼@§@«~ºt¥Xªº¨Ã¤£¦h¡]¤âÃä¥u¦³RV711, Farnace¡BRV719, L¡¦incoronazione di Dario¡BRV729, Ottone in villa¡BRV734, La Silvia©M¤p©]¦±(Serenata), RV693 La Senna Festrggiante¡^¡Cºû¥Ë²Ä°£¤F¥ô¾©ó Ospedale della Pietà¥~¡AÁÙ¾á¥ô¸t¦w®æ¬¥¼@°|¡]Angelo Company¡^ªº¥D«ù¡C

1718¦~¥L¨M©w¨ì°Ò¹Ï¨È¡A¨ü¸u©ó¤ý¤lµÌ§Q®ú¡P¶Â´µ¡P¹F©i´µ¶ð¼w¡]Prince Philip Hesse-Darmstadt , 1671-1736¡^ ¡A¥D«ù­µ¼Ö·|©Mºq¼@³Ð§@¡C1726¦~¥L¥H§@¦±®a©M´£µ^ºt«µ®aªð¦^«Â¥§´µ¡A¾á¥ô¸t¦w®æ¬¥¼@°|ªº­µ¼ÖÁ`ºÊ¡A¥L¦b¨º¸Ìűo¤F¥þ¼Ú¬w¤Hªº·q¥õ¡A¬Æ¦Ü¦¨¬°­µ¼Ö®a´Â¸tªº¹ï¶H¡C¦b¦¹´Á¶¡¥L»{ÃѤF16·³ªº¤kºq¤âAnna Giró¡A«á¦ñÀH¥L¥|³B¹C¾ú¡C1721¦~¥L¦h¦¸¦bù°¨³r¯d¡A¨â¦¸¦b±Ð©v­±«eºt«µ¡A¦]¦¹Ä¹±o¤F¤j¶q©e°U¼g§@ºq¼@©M©v±Ð­µ¼Ö¡C

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¤Ú«¢ªº¶Ç°O§@ªÌJohann Nicolaus Forkel (1749-1818) ¡A19¥@¬öªì²{¥N­µ¼Ö¾Ç³Ð©lªÌ¤§¤@¡A³Ì¦­´£¥X¤Ú«¢ªº­µ¼Ö²`¨üºû¥Ë²Äªº¼vÅT[11]¡C1905¦~¡AArnold Schering (1877 -1941)[12]®i¥Üºû¥Ë²Ä¦b­µ¼Ö¾ú¥v¤W­«­nªº¨ó«µ¦±¡C1920¦~¥NAlberto Gentiliµo²{¤j¶qºû¥Ë²Äªº¼ÖÃÐÀɮסCºû¥Ë²Äºû¥Ë²Ä¥h¥@¤j¬ù200¦~«á¡A1940¦~ªk°ê­µ¼Ö¬ã¨s­û°¨§J¡P»«ªÙ§Q¡]Marc Pincherle¡^©M¨ä¥L¦¬Âîa¦b20¥@¬ö30©M40¦~¥N¶R¤F¤j¶qªº¤â½Z¡C»«ªÙ§Q¹Á¸Õ¬°ºû¥Ë²Äªº§@«~½s¸¹¡]P.¡^¡A¦ý®Ú¾Ú¶i¤@¨Bªº¬ã¨s©M·sµo²{ªº§@«~¨Ó¬Ý¡A³o®M¥Ø¿ý¨Ã¤£§¹³Æ¡C¥t¦³¤@®M¥Ø¿ý¡A¬O¥Ñ¦wªF¥§¶ø¡P¤Z¯Ç (Antonio Fanna)©ó1986¦~½s»s(¥N¸¹F)¡C¤¦³Á­µ¼Ö¬ì¾Ç®a©¼±o®È©ù(Peter Ryom)¦b 1973¦~µoªí¤@®M¥Ø¿ý¡A§YRyom Verzeichnis (RV)[13]¡A«á¨Ó¹O1974¦~¥Xª©Â²©úª©¡]Verzeichnis der Werke Antonio Vivaldi: kleine Ausgabe¡^¡A1979¦~²©ú¤Gª©¥Xª©¡C¥N´À«e¨â®M¦¨¬°¥Ø«e¬y³qªººû¥Ë²Ä§@«~½s¸¹¥Ø¿ý(op.)¡C

«ö·ÓRyom(1973) ²Ä¤@ª©ºû¥Ë²Ä¥Ø¿ý¡]Table de concordances des oeuvres¡^¡A¥Lªº§@«~Á`¦@¦³780­º[14]¡A¨ó«µ¦±¦³500­º¡A¨ä¤¤¦³¶W¹L241­º¬O¬°¤p´£µ^¿W«µ¦Ó¼gªº¨ó«µ¦±¡F¦³39­º¤ÚªQºÞ¨ó«µ¦±¡FÁÙ¦³¬°¤£¦Pªº¤ìºÞ¼Ö¾¹¡]ª½²Ã¡BÂù®ºÞ¡B¾|¯Sµ^¡Bªø²Ã¡B¡^¡A©M¤Ö³¡¤À¬°¤j´£µ^¦Ó¼gªº¨ó«µ¦±¡F¨ä¤¤ÁÙ¦³¬°§ç±¡ºû¶øº¸µ^¡Bµu²Ã©Î°ÒªûªL¦Ó¼gªº§@«~¡C»P¶Ç²Î¬Û²Åªº¬O¡A¥Lªº¨ó«µ¦±¦h¬°¤@§â©Î¦h§â¤p´£µ^¿W«µ¡C¦ý¬O¥L¥t¥~³Ð§@¤F¬ù70³¡¨ó«µ¦± ¡A¬O¬°¨â§â©Î¦h§â¤p´£µ^¿W«µ¦Ó¼gªº¡]2-4§â¤p´£µ^¡^¡C¥L³ßÅw³Ð·sÅܤơA¬Æ¦Ü±NRV 555¨ó«µ¦±¤¤ªº¿W«µ²ÕÂX®i¦Ü16¤H[15]¡C

ºû¥Ë²Ä±N¿W«µ¨ó«µ¦±Åܦ¨¤F¤Ú¬¥§J­µ¼Öªº³Ì¨Îªí²{§Î¦¡¡A¥L Â×´I¤F²Ä¤T¼Ö³¹ªº¦±¦¡¡C¦b§Ö³tªº¶}©l©Î²×¥½¼Ö³¹¥LÁÙ¿W³Ðªº¤Þ¤J¤F­«½Æ¼Ö¬q¡AÂǵۼֹΤ£°±­«½Æ¤@­Ó­µ¼Ö¾ô¬q¡A¦AÂà´«¦¨¤£¦P¼Ö¾¹¡A¼Ö¦±¦Û¥Ñ¦hÅܤơC¥LªººC¼Ö³¹«h¥H±y´­¦pºqªº±Û«ßµÛºÙ¡C¨ä¥LÁÙ¦³55³¡ªº¦ñ«µ¨ó«µ¦±(¡uµL¿W«µ¨ó«µ¦±¡v)©Mªñ21³¡¿W«µ«Ç¤º¨ó«µ¦±[16]¡A¥i ¨£¥L³ßÅw¦hµf¹Á¸Õ¦UºØ¤£¦P§Î¦¡ªº¨ó«µ¦±¡Cºû¥Ë²Äªº¼vÅT¤O¤£¦ý¦b¥_¸q¤j§Q¡A¦b¼w°ê¤]¥i¨£¡C¬ù¿«³ìªv¤Ç´Ë¼w¦b®c§Ê¤¤´N¤j¶qÀ³¥Î¤Fºû¥Ë²Äªº§Þ ¥©¡Cºû¥Ë²Äªº©MÁn§ó¬O¤Ú¬¥§J­µ¼Öªº½÷·×¦¨´N¡A¤Ú«¢ªº§@«~²`¨üºû¥Ë²Äªº¼vÅT¡A¥L´¿§ï½sºû¥Ë²Ä§@«~©ó¤jÁäµ^[17]©MºÞ­·µ^­µ¼Ö¤¤¡A¨Ï¤Ú¬¥§J­µ¼Ö¦V§ó²`¼h¦¸µo®i¡C


[1] Michael Talbot, Vivaldi (BBC Music guide), pp. 5-6 »{¬°¥Lªá«Ü¦h®É¶¡¦b¨ó«µ¦±ªºµo®i¤W¡A¼vÅT¤Ú«¢¡B®ü¹y©M²ö¥¾¯S¡CÂ×´I¤Fºû¥Ë²ÄªºÂ´Åé¡]texture¡^¡A©MÁn¥[±j¤F¥DÃD¦¡ªº¶°¤¤¤Î¾®½m¡A©Ò¥H¤Ú«¢§ï½s¹L«áºû¥Ë²Äªº¨ó«µ¦±¤Ï¦Ó¤ñ­ìµÛ§ó¨üÅwªï¡C°£¤F¤Ú«¢¥H¥~¡Aªk°ê§@¦±®aJean-Marie Leclair (1697-1764) ¨Ïºû¥Ë²Ä¦¡ªº¿W«µ¼g±o§óºëÁå¡A¦Ó¤S¤£·l®`¨ä­µ¼Ö§Þ¥©¡]Michael Talbot, Vivaldi (BBC Music guide), pp. 7¡^¡C

[2] ©Ò¦³ºû¥Ë²Ä§@«~¤¤³Ì¦³¦Wªº­µ¼Ö¡A¨äCD¥Xª©¶W¹L50ºØ¤§¦h¡C

[3] RV¥Ø¿ý¦¬¿ý39­º¡A¥ÑASVµo¦æ½s¸¹DCX 615¦@6±iCD¡A¦@¦¬¿ý37­º¡C

[4] ¥H¤@¦ì¤Ñ¥D±Ð§@¦±®a¥LªºÀ±¼»¦±«Ü¤Ö¡A¥u¦³RV586-592¡A¨ä¤¤RV596¬OÀ±¼»¦±¥þ¦±©MRV592¬°«H¸g¡]CredoÀ±¼»¦±²Ä¤T¼Ö³¹¡^¡A¨ä­ì½Z©óªiÄõµØ¨F¥X¤g¡AºÃ¬°°°§@¡]Michael Talbot, Vivaldi, p. 151, note 13¡^¡C¨ä¥L³£¬OÀ±¼»¦±¤ù¬q¡]mass section¡^¡G¬°««¼¦¸g¡]Kyrie, RV587¡^©MºaÄ£¸g¡]Gloria¬°À±¼»¦±²Ä¤G¼Ö³¹¡^RV588 &589¡A¨ä¤¤RV590¤w¿ò¥¢¡AºaÄ£¸g¬°¨ä³Ì¦³¦WÀ±¼»¦±§@«~¡A³Ì±`³Qºt«µ¡ACD¤]¥Xª©³Ì¦h¡C

[5] RV623-642, 646-648, 747-748¦@25­º¡A»s¦¨CD¨Ã¤£¦h¡A¥þ³¡¬Ò¬°¸g¤åºqCDªº¥u¦bErato88094¨£¨ì¡A¨ä¥LCDÁö¦³¸g¤åºq¦ý¬O³£©M§OºØ­µ¼ÖÃþ«¬¦X¦¨¤@±iCD¡C

[6] ºû¥Ë²Äªº©v±Ð­µ¼Ö°£¤F¤W­zªººaÄ£¸g¡]RV588 ¡®589¡^¤§¥~¡A­nÄݳo¨Ç§@«~³Ì¬°¦³¦W¡AÁ`¦@32­º¡ARV593-622¡A789 ¡® 795(¦ýRV622, Te Deum¤w¿ò¥¢)¡C°£¤F¤@¯ë°Û¤ù¤½¥q¹s´²¥Xª©¤§¥~¡APhilips¥X¨â®MCD³£Äݳo½dÃ¥¡GSacred Music for Solo Voices & Orchestra (432-088, 432-091, 432-104) ©M Sacred Choral Music das Geistliche Chorwerk (420-648¦Ü 420-652¦@5±iCD)¡C³o¨â®M²[»\25­º¸Ö½g©M±ßëºq(Vespers)¡C

[7] ¯«¼@§@«~¦³¥|­º¡A¨ä¤¤¥HRV 644 Juditha Triumphans ³Ì¬°¦³¦W¡A¦³Hungaroton 11359-60©M Opus 111, op 30314¨âºØª©¥»¡C

[8] 1920¦~¥N¦b¦¹µo²{«Ü¦hºû¥Ë²Äªº¿ò§@¡C

[9] (op. 1-12, ¥þ¶°¥ÑPhilps°Û¤ù¤½¥q¥Xª©¡A¥t¦³¹s´²¥Xª©¡A¤â¤¤¦³¡Gop. 1, 12 sonate, 426-926¡Bop. 3, 12 concerti, 412- 128¡Bop. 4, 12 Concerti, 426-935¡Bop. 7, 12 concerti, 426-940¡Bop. 8, 12 concerti, 426- 943¡Bop. 9, 12 concerti, 426-946©M op. 12, 6 concerti, 426-951 )

[10] The New Grove Dictionary of Music and Musicians, v. 26, pp. 836-838 ¦¬¿ý48­º, ¥t¥~6­º½s¸¹¬°Anh¡C

[11]  The New Bach Reader, Part VI, Forkel Biography of Bach, pp. 441, & 477¡C

[12]¼w°ê­µ¼Ö¦r¨å½s¿è¡]Neue Zeitschrift fuer Musik, 1903-1905¡^¤Ú«¢±M®a½s¤Ú«¢¦~Ų ¡]Bach- jahrbuch¡^¤Î­µ¼Ö¾ÇªÌ½s¼w°ê­µ¼Ö¹d¶°¡]Denkmaeler Deutcher Tonkunst¡^, ¼w°ê­µ¼Ö¾Ç·|·|ªø¡]Deutsche Musikgesellschaft¡^©MÁú¼wº¸¾Ç·|¡]Handel-Gesellschaft) «á¨Ó½s¥þ¶°¡C

[13] ¦¹¥Ø¿ý©M¤Ú«¢¥Ø¿ý¬Û¦P¥ÎRVªí½T¬Oºû¥Ë²Äªº§@«~¡C­Y¬O¦³ºÃ°Ý©Î¬O°°§@«~«h¥ÎRV Anhªí¥Ü¡C

[14]²Ä1974¦~ª©«h¶W¥X795­º¡C

[15] ½s¨î¬°¤T¤p´£µ^¡B¤Gª½²Ã¡B¤G¤j´£µ^¡BÂù®ºÞ¡B¤G¤jÁäµ^¡Bªø²Ã¡B¤G³â¥z¡B¤G¤¤´£µ^¡B¥j³æ®ºÞ¡]chalumeau¡^¡C

[16] ¨S¦³¼Ö¶¤¦ñ«µ¡A¦p¤Ú«¢ªººÞ­·µ^¨ó«µ¦±¡]BWV592-596¡^Á`¦@5­º¡A¨ä¤¤¤T­º§ï½s¦Ûºû¥Ë²Ä¡]BWV593 after op, 3, no.8, RV522, BWV594 after op. 7, no. 5, RV208, BWV596, after op. 3, no. 11, RV565¡^¡B¿W«µ¤jÁäµ^¨ó«µ¦±¡B©M¤jÁäµ^¸q¤j§Q¨ó«µ¦±¡]BWV971¡^¡C

[17] 16­º¿W«µ¤jÁäµ^¨ó«µ¦±¡]BWV972-987¡^¨ä¤¤BWV972 after op. 3, no.9, RV230¡FBWV973 after op. 7, no.2, RV299¡FBWV975, after op. 4, no.6, RV316¡FBWV976, after op. 3, no. 12, RV. 265¡FBWV977 source unknown (Vivaldi ¡H)¡FBWV978 after op.3, no.3, RV310¡FBWV980 after op. 4, no.1, RV 381¡C¥|¥x¤jÁäµ^¨ó«µ¦±BWV1065, for 4 harpsichord, op. 3, no. 10, RV580¡C

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